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Why Chainsaw Man would even have a tad of bad reputation is baffling to me: it is close to being a perfect Shounen. While there are still definitely flaws, I can say with confidence that there are no deal-breakers in the series, as long as you are an anime fan.

But before I praise Chainsaw Man into high heavens, let’s get the caveats out of the way. If you watch Chainsaw Man for eye candy, you’ll be sorely disappointed. Although the designs and cinematography are to be commended, the action animation itself sails just above decent in a post Demon Slayer world. With the exception of the fight just aired in episode 12, much of the fights are at best slightly above average fight sequences. The subpar animation is masked with clever use of framing that makes the fights less coherent and more awkward to watch, but delivers better action and makes the 3D animation more palatable.

That in my eyes, however, is a tiny flaw and easily overlooked on the mountain of great things Chainsaw Man brings to the table. Its fights do still work even with its limited animation all thanks to its amazing tone/atmosphere that the script and cinematography has crafted. The generous use of silence and occasional awkward dialogue, counter-intuitively, works to the show’s advantage. It creates an unsettling and eerie tone that’s matched when the push comes to shove and the fights begin. Each fight is genuinely terrifying and holds incredible stakes that make them feel important, which can’t be said for much of Shounen nowadays.

To avoid getting the show from being too heavy, Chainsaw Man contrasts its dark setting with Power and Denji, two of the most apathetic and stupid characters out there. Denji especially, as our point of view character, would be unworkable as the protagonist in any other environment. His cluelessness of his surroundings and, for lack of a better phrase, devilish stoicism would render him utterly unlikable if not for the show’s setting. Instead, in Chainsaw Man, it juxtaposes the serious and borderline hopeless situations our characters are routinely put in. Sometimes it diffuses tension and creates humour, sometimes it’s vital to the plot and it would simply not proceed if not for his character. My point is that Denji is impeccably designed with the whole story in mind. He didn’t just rely on the Excalibur in the stone to become a hero, he needed to be who he is to be the one.

Part of the appeal of Denji, and to an extent Power and Makima’s character can be attributed to the fact that humour surrounding the anime and manga subculture has become very ironic, self-aware, and self-deprecating. You’ve probably seen Tik Toks of people barking to Makima cosplays or Power fondling her chest. This ties into why you need to be an anime fan to truly enjoy Chainsaw Man, because this would just be cringe otherwise. But I digress.

The cast of Chainsaw Man, while not huge, have great chemistry. Denji and Power play off each other very well, and Aki provides the much needed straight man character to contain their stupidity. Makima on the other hand, we know barely anything about other than that she’s really powerful. But the sublime delivery of Tomori Kusunoki compliments this and she is in fact the main mystery of the series. We’ve also yet to see much from Kishibe and Kobeni and that’s intentional. If Makima is the main mystery then Kishibe and Kobeni are the side ones. People that criticise any one of them lacking depth to their characters are simply missing the point. 

That’s because a majority of this season of Chainsaw Man functions as an introduction to the actual story, but what it did show is immensely promising. The voice acting, pacing of the dialogue, and momentary editing and framing has created an eerie tone, but what came of it? Well, without getting into spoilers, the actual story starts in episode 8, and what happened resolves the dissonance between the tone and the actual story. The tone foreshadowed the event not specifically, but you know something is up and due. This sort of atmospheric foreshadowing is rare in Shounen, and the result is one of the most cohesive, consistent, engaging, yet subtle introductions in anime ever. The plot then progresses naturally building up to the hype confrontation in episode 12. Much of the mystery in Chainsaw Man is still left unsolved though. I haven’t read the manga so I can’t make any guarantees for the plot later, but from what I’ve heard and seen this season, I really look forward to season two.

The last thing I’d want to mention is the banger opening and endings. Kick Back is truly one of the songs of all time. And I find each and every ending gorgeously drawn, although I can’t say the same for the music, some of them are just not fitting to my taste. Some might say Chainsaw Man would be better off giving some of the ED budget to the animation, but that’s beyond the scope of this review.

In the end, those that said this show did not live up to the hype are either manga readers that had unrealistic expectations, or just antis magnifying what little flaws Chainsaw Man has to hang on to their unfounded beliefs. Or maybe it’s because I came in blind and pleasantly surprised, you be the judge.