rrakku's archive

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“Welcome to our world!” The five girls’ first performance of this season was a warm welcome not just to the aspiring members of Liella, but also to the audience for returning to witness a new chapter. And I mean, who could resist? Superstar season one is perhaps one of if not the best idol show out currently out there. So, how did second season fare?

Well, not great. Introducing new characters this late into the series naturally comes with some compromises, and this season of Superstar didn’t have the wrong priorities.

Now, I don’t mean that Kinako, Mei, Shiki, or Natsumi are bad characters, they are decent. They have strong, distinctive designs that reflect their personas; some of their character traits mesh very well with the original five, like Mei with Keke or Natsumi with Sumire. Mei and Shiki’s relationship is adorable. And although Some of their attributes on the extreme end, e.g. Shiki’s nonsense gadgets and Natsumi’s “desuno” mannerisms, could annoy some people, it ultimately comes down to personal preference and I digress.

To introduce new members to an existing idol group is to risk alienating your audience, because people came for Kanon, for Keke, for Chisato, for Sumire, and for Ren, not for Kinako, or Mei, or Shiki, or Natsumi. So the question is, how do you get people to keep watching while you introduce characters that no one cares about? The solution Superstar gave to this question is to get their introduction over with as soon as possible, cramming it all into its first episodes. I don’t think that’s a good approach. The first episodes resemble the real life equivalent of a freshmen ice-breaker, not necessarily the most entertaining stuff.

In later episodes, as the characters get to know each other, you can see their characters play off each other better. Conversations feel substantial, sometimes even fun, and not just vegetables talking to each other. In a sense you could argue that therefore the awkward start only makes it more realistic: the more time you spend with the same group of people, the more comfortable you are with them. However, disregarding the discussion of whether the realism of fiction is always preferable or not, it still doesn’t make it any fun to watch.

One could also make the case that their addition was a cornerstone to season two’s structure, essential for the dramatic confrontation between Keke and Sumire. Keke’s potential departure is perhaps the easily the most intricate, important, and interesting plot thread in season one left unresolved, it’s very intricate and showcases the emotional intelligence of both of them. However, in this season, the whole situation ended on quite a bitter note. The confrontation and solution is too cheesy, and the most detrimental part about it is the climatic scene where Sumire spills the beans about Keke. But there are redeeming qualities: the voice acting coming out of the whole sequence is done insanely well, the drama feels authentic and there are nuances in everyone’s thoughts that the audience can understand and appreciate. And that’s about the high-note of this season in terms of story.

Because if last season’s story required some suspension of disbelief, the story this season is sometimes borderline incoherent. I won’t delve into it deep here, because there plainly isn’t much to talk about, I’ll just give a few examples. Obligatory spoiler warning.

Episode 1: somehow because Kinako stumbled upon the five practising, they suddenly want to HER specifically as THE new member(?)

Episode 3: to celebrate(?) their loss at a local competition, they decided to hold a performance at their own school(?)

Episode 7: Ren got addicted to games, so their solution is to play together to overcome her addiction(?)

I guess the only other storyline that made any sense coincidentally also comes from a new character: Wien Margarete. She is the real rival of Liella, hinted at in episode two and only appears every now and then when she needs to. Even then, so little is known about her until an exposition dump in episode eleven, which backfilled her motivation and established a “she doesn’t have a soul of a school idol” narrative. On the topic of Margarete, we were told that her performances are jaw-dropping, insanely good, on a completely different level than even Liella or Sunny Passion. In reality, we can’t even see the performances when they have lost, and the only time we saw her beat, it was when Liella squarely diffed her both in terms of music and choreography.

Which brings me to season two’s saving grace, its performances. At this point I am convinced that the Love Live franchise has the most talented people in the industry working on the 3D models, animation, and music. They continue to be stunning this season, and sometimes even one upping themselves. Chance day, Chance Way! has Chisato jumping up in 2D but landing in 3D in one continuous shot, which I swear is more impressive than it sounds; Sing! Shine! Smile! has hands down the most beautiful set, most expressive faces, and most natural movements in any Love Live; Mirai no Oto ga Kikoeru is subtle and comparatively muted as a finals song, but it reflects on the growth of everyone over the season and The decision to put Ren in the centre was refreshing. They definitely do cut corners when the characters are not performing though, to the point where it feels like the video game equivalent of cutting back to gameplay from a cutscene when the girls get off the stage.

Actually, Superstar season two may be best described as this, it’s a series of dazzling music videos with these poor excuses of a story but in between them.

Well, at least Welcome to Bokura no Sekai is still a bop.